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iamfitz

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To whom it may consoin... [Jun. 11th, 2009|10:20 am]
Which is basically [info]mabnyx:

I read that David Mitchell has a new novel coming out next year, so...YAY and junk, although it seems like it might be one of his postmodern thingies that I'm not quite so fond of.

And also, Pynchon has a new one coming out...soon? Sooner than Mitchell's, anyway, as I recall. Let's say next month, though I honestly don't remember if that's true or not.

Enjoy the ambiguity!

fitz (is feeling fuzzy)
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Exposing myself [May. 29th, 2009|11:49 am]
I hereby confess:

When I was a teenager, I wrote poetry. Bad poetry. VERY bad poetry. Which isn't all that uncommon, is it? I think most of us have a notebook hidden away somewhere in the back of a closet, where the revealing light of day can't get to it, with some extremely horrid and deeply heartfelt poetry, crouching there, ready to pounce and humiliate us.

Sadly, some people aren't going to get the comfort of the closet, thanks to Falling Hard: 100 Love Poems by Teenagers, edited by Betsy Franco, who apparently has a series of books featuring poetry by teens.

I can't say I read every single poem in this book. I doubt you would, either. I read enough, however, to see that there were a couple of kids who should stick with it. They show signs of talent. What I didn't see was a really good poem, though, and poetry is all about the really good poems.

Some people might call these kids brave, but it seems more like taking advantage of children to me. We're supposed to protect kids from doing things like this, not use them to make money.

I'd like to see the statistics on how many of the boys in there got beaten up after this book came out.
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(no subject) [May. 28th, 2009|12:01 pm]
I heard an ad today on the radio for "Studio 360" featuring Harlan Ellison, who apparently will be featured in all of his, oh...let's call it irascible glory. For those interested.
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I'm a corporate TV whore [May. 21st, 2009|11:30 am]
I don't care what you think. I liked "Glee." I laughed, I cried. Well, I didn't cry, but tears did well up in my eyes--in a manly way, of course. That may have more to do with the Dark Cloud of Unending Gloom hanging over me more than the show, however.

You can watch it at FOX, if you like, and I believe Hulu has it, too.

You're welcome. :-)
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Happy Happy Joy Joy [May. 18th, 2009|11:05 am]
Dollhouse is renewed for a second season!

I am so happy I could spit. It's only 13 episodes, but that's better than none. And it means that Amy Acker will be back! (If Terminator is canceled, could the television gods please add Summer Glau to "Dollhouse?" Pretty please? I promise to be good and eat my vegetables and clean my room and I'll let you ride my bike and everything!)

Oh, this is a good day.
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Because I care [May. 8th, 2009|09:57 am]
A brief message to the Cleveland Indian bullpen:

Try throwing overhand, please. Thanks.

fitz (GO CAVS! MVP--MVP--MVP)
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How do I love thee? [May. 7th, 2009|10:23 am]
So I saw a link on my friends list to The Best Books for Poetic Seduction, a selection of five books of poetry to make a person swoon, but I was kind of shocked, perhaps even offended, that A Book of Love Poetry wasn't included on the list.

It's a lovely book, for those who read poetry, including this bit from Spenser, who, of course, does not mention her name:

One day I wrote her name upon the strand,
But came the waves and washèd it away:
Again I wrote it with a second hand,
But came the tide and made my pains his prey.
Vain man (said she) that dost in vain assay
A mortal thing so to immortalise;
For I myself shall like to this decay,
And eke my name be wipèd out likewise.
Not so (quod I); let baser things devise
To die in dust, but you shall live by fame;
My verse your virtues rare shall eternise,
And in the heavens write your glorious name:
Where, when as Death shall all the world subdue,
Our love shall live, and later life renew.
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Am I appalled or amused? [May. 6th, 2009|10:07 am]
Okay, so how is going to read Pride and Prejudice and Zombies: The Classic Regency Romance - Now with Ultraviolent Zombie Mayhem! by by Jane Austen and Seth Grahame-Smith?

I might just try it.
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(no subject) [May. 6th, 2009|09:44 am]
Finally got around to watching "Taxi to the Dark Side," which was as disturbing as you'd expect, though it didn't really give me any new information. Of course, I followed the news about the torture more closely than the average bear. Still, it was compelling. If you watch it, make sure to watch the 21 or so minutes of outtakes, especially the second offering about how arrests were made and the interregators weren't listened to.

If I had a criticism, it would be that the subject of rape was ignored, and that's a shame. We apparently have video of children being raped at Abu Ghraib, and a federal judge ordered them released back in 2006. On top of that, there's the statements of a retired Army Major General, to wit:

Maj Gen Taguba says he described to Mr Rumsfeld what he termed the "torture" of "a naked detainee lying on the wet floor, handcuffed, with an interrogator shoving things up his rectum," the magazine reported.

The ex-general, who retired in January, spoke of other, undisclosed material on the Abu Ghraib abuse, including descriptions of the sexual humiliation of a father with his son, who were both detainees.

He also told the magazine he saw "a video of a male American soldier in uniform sodomising a female detainee," adding the video was never made public or mentioned in any court or in public."
It seems no one really wants to look that closely at what we've done.

All in all, though, a good documentary.
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Better than Oprah! [Apr. 24th, 2009|01:02 pm]
How do you get a bestseller? Have Hugo Chavez give a copy to the President of the USA.

Open Veins of Latin America: Five Centuries of the Pillage of a Continent by Eduardo Galeano went up to number two on the Amazon best sellers list on 4/19, and as of 4/26 it's still at number three. Not bad for a 25 year old book, eh? I wonder if anyone who buys it will actually bother to read it. Hope so. What the US has done in Latin America is unforgivable.

fitz (did not vote for Obama, but would vote for Chavez)
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Is it kind of skin crawly? [Apr. 17th, 2009|10:17 am]
So, "Dollhouse" viewers, do we all kind of hate all the employees of the Dollhouse? Because I kind of hate them. Not good people, I'd say, and the ep two weeks ago (where the dolls are briefly awake) really made my skin crawl. Make Adelle and Topher funny in one episode, fine, but the point is they're pimps (at best), and this is not a good thing.

Understanding that Joss likes moral ambiguity (and let's face it, it just makes for more interesting stories) I can deal with that, but at some point there needs to be some clarity here. Either the bad guys (which is pretty much everyone who isn't a doll or Paul Ballard) get away with it (the Universe is a cruel, unjust place and we are impotent against the savage cruelties of the unkind world) or, in keeping with Joss' past record, some repent, which is my bet (the Universe is a cruel, unjust place but it still matters that we do the right thing, whether it seems to or not, because it's all we have).

At least, I'm hoping that's how it goes.

What troubles me is that the least likable character, filling the functional role of the villain (Laurence Dominic), was put in the attic when it was discovered that he was NSA. There was a certain satisfaction to that, of course. After all, he'd tried to kill Echo and was contemptuous of all the dolls, but at the same time, it's not like the Adelle was being heroic. The rape metaphor inherent in all of this is more than a little disturbing to me.

So how do we feel about it? I like the show, which has become so much better than when it started, finally showing signs of life in episode five, I think it was. And hot chicks kicking ass is generally a good sell (I know how it sounds, but it's true). Still, after watching it I feel kind of dirty, and that's not a good thing.
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(no subject) [Apr. 14th, 2009|11:51 am]
So I picked up this book called Sum: Forty Tales from the Afterlives by David Eagleman, which doesn't really have tales at all but rather short musings on humankind's place in the universe, and it's okay so far.

But I liked the ending of the second "tale," in which God (referred to in the feminine so as to indicate we're not dealing with traditional theology at all) is very upset because her human creations are too complex to sort into simply Good or Evil, and so comes up with the solution that she will do away with Hell altogether and let everyone into Heaven:

The Communists are baffled and irritated, because they have finally achieved their perfect society, but only by the help of a God in whom they don't want to believe. The meritocrats are abashed that they're stuck for eternity in an incentiveless system with a bunch of pinkos. The conservatives have no penniless to disparage; the liberals have no downtrodden to promote.

So God sits on the edge of Her bed and weeps at night, because the only thing everyone can agree upon is that they're all in Hell.
Yep, that pretty much sums it up for me.
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(no subject) [Apr. 13th, 2009|12:46 pm]
No, I'm not actually dead, if any of you remember me. My traditional winter depression seemed to be particularly enthusiastic this year, not yet leaving me even in the Spring, and I'm pretty sure I'm never going to be in a good mood again. Ever.

I've not read a single novel this year, though I read many, many comic books, feeling that if a superhero can save the universe, he should at least be able to make me smile, but I fear none were strong enough.

The only things worth living for now are the Cavs, "Dollhouse" (which took a month to get good but is now chugging along quite nicely), and Summer Glau, who I'm pretty sure I love, or would love if I actually knew her, which I don't. But she's SO PRETTY she must be wonderful. (Everything you ever wanted to know about how guys think summed up in one sentence, for free.)

I have been a very poor Fake Online Friend, I know, and I feel bad about that. I'd like to go on, but no one really wants to hear about some sad git going on and on about what a sad git he is. There actually was a quote I wanted to post, but I don't have it with me, so that's shot, too.

Personally, I think we should all team up and write a book about teenage girls and the vampires who love them. If we all took two chapters it would be done in no time at all, and we'd be rich and could retire to a tropical island and drink fruity rum-based cocktails all day, which is all I really want to do anyway.

I'll be back. I promise. And soon, too.

fitz (it's so hard to have a good time--even smiling makes my face ache)
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*sniff* [Jan. 30th, 2009|11:56 am]
I haven't read it in a while, but I used to subscribe:

Realms of Fantasy closing

There was some good stuff published there.
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I blame it on the mercury and lead in my diet [Jan. 30th, 2009|09:05 am]
[info]kittypuppy mentioned the book Ideology: A Very Short Introduction by Michael Freeden, which I thought looked interesting. Only two chapters into it, I'm already confused. So, smart LJ people, any help would be appreciated.

While I'm sure you're all familiar with the concept of hegemony, I'll quote a section from the book's discussion of Gramsci:

Ideological hegemony could be exercised by a dominant class, the bourgeoisie, not only through exerting state force but through various cultural means. Gramsci shifted ideology away from being solely a tool of the state. Ideology operated and was produced in civil society, the sphere of non-state individual and group activity. [Emphasis mine.] Here again the intellectuals surfaced as the major formulators and conductors of ideology and as non-governmental leaders wielding cultural authority. Their permeation of social life was characteristically based on the manufacturing of consent among the population at large, so that the masses would regard their own assent as spontaneous.
Okay, I can go along with that, no problem. What troubles me is when he gets into Althusser. To wit:

Finally, Althusser's fifth input was that concrete individual subjects were made to serve as carriers of ideology, thus severing the inevitability of its link with class as proclaimed by earlier Marxists. For that reason, the very notion of ideology itself depended on the ideological concept of the subject--individuals constituted by ideology as bearers of consciousness, will, and agency. In other words, 'ideology' and 'subject' were mutually defining.
Okay, stop right there. I don't get it, for it seems to me that Althusser is saying that ideology is self-defining, in that "ideology itself depended on the ideological concept of the subject</i>," but which came first, the chicken's ideology of the subject or the egg's ideology? What am I missing here?

Freeden explains:

If I acted as an individual who desired, say, to marry and have a fulfilling and lucrative career, I was putting my private life-purpose at the centre of my world, and others were recognizing my right to do that. But at the same time I was the product of an ideology that caused me to think of myself as a free agent whose fulfilment would be in a long-term, formalized relationship with another individual designated as a 'spouse', an in a profitable activity that would secure the means of purchasing the labour and products of others. I lived 'naturally' in such an ideology and believed that I was acting spontaneously and autonomously.
There is an obvious implicit assumption here that I don't believe quite follows, and that's the idea of "others recognizing my right to do that." Only when following the dominant ideology will others respect that right, isn't that the case? When following a transgressive ideology, one that condones polygamy, for an example that's recently been in the news in America, then that "right" is not at all recognized. Also, I fail to see anything added here that wasn't covered by Gramsci. Yes, the internalization of the dominant ideology of the day means that we may perceive our actions as spontaneous and autonomous, but that's the function of hegemony as previously pointed out. The very assent of the masses will, of course, result in individual actions reflecting that assent, no?

Further:

Inasmuch as [ideology] is in us, we are not fully conscious of its effects. But if we are sufficiently astute, we can acknowledge that we identify each other through ideology, as individuals possessing certain features rather than others. That is a process of mutual recognition that brings order in its wake, such as 'you are a greengrocer, I am a customer', and, underpinning that, an awareness that is not always evident: 'we are both subject to the rules of the market'. The ambiguity of the term 'subject', Althusser argued, catches the essence of ideology beautifully. It refers to the free initiative of the individual, but also the the domination of the individual by a higher authority.
Hmmm, sounds kind of like some sort of structuralist word-game to me, but let's ignore that for the moment. Is saying "you are a greengrocer" a statement of political ideology, as assumed in the given example. I'd argue that it isn't. Rather, it's a definition of function. (We could get into Sartre here and talk about being-for-others and being-for-itself, but perhaps that's beyond our scope.) And not only of function, but of function in and defined by a specific place and time. Later on, the greengrocer is husband, father, card cheat, what have you. While we can say that the jobs in which we function are a result of the dominant ideology, it's hard for me to see the performance of the job as an ideological statement in and of itself. Too, when saying that both actors are subject to the rules of the market, it's unclear to me, and not explained, why such an awareness is assumed not to be present. It's precisely this kind of assumption (in all of its elitist glory) that disturbs me so very much. And why, exactly, is the term "subject" ambiguous here? Again, unexplained, but from it profound leaps are made. Critical theory really likes to play fast and loose with language, doesn't it? And then tells us that language is necessarily ambiguous.

Freeden concludes:

For instance, being entrepreneurial, cowardly, caring--all these are particular features that our ideological imaginations deem important for one reason or another. These are all categories we apply in order to make sense of human actions. They all define the characteristics of individual subjects, thus placing them within a recognizable social network. They are all linked to practices of which we approve or disapprove, but which occur in the real world. Ultimately--and crucially--all these are permanent aspects of social life.
Again, doesn't hegemony account for all of this?

So what am I missing here?

fitz (off to eat more paint chips)
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So long, John Updike [Jan. 29th, 2009|10:35 am]
I believe I posted this before, but considering the recent news, I'm posting it again, since it's a favorite of mine.

A&P
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(no subject) [Jan. 27th, 2009|10:55 am]
Swiped from [info]christina_reads:

Top 100 )
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Thanks for the memories [Jan. 12th, 2009|10:01 am]
I don't like talking politics in this journal, but I do want to commend the US Congress for listening to the countless demonstrations over the years in Washington and making sure it passed the much-demanded legislation switching over all TV broadcasts in the USA to digital. Never say our government isn't responsive to such a loud public outcry.

It's so good, in fact, that it's made my life much easier. No longer will I have to dither about what to watch on TV, because I no longer receive NBC, CBS or PBS. Hooray! And sometimes the voices don't quite match up with the actors' lips, so it's like a fun little game, waiting for Godzilla to come and attack.

This is a giant leap forward for our democracy, which isn't at all run by soulless corporate filth but is only and entirely responsive to the demands of the citizenry. Never have I been prouder.

fitz (is not going to be watching TV very soon)

PS Did you see Mary Louise Parker at the Golden Globe Awards last night? When she was sitting at the table, as the nominees were announced, I swear she didn't even look human. She looked like something descended from Olympus, gracing and shaming us at the same time. Merciful Zeus! I really like Mary Louise Parker.
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It's like the Olymics, only they're DANCING!!! [Jan. 5th, 2009|12:01 pm]
So I watched "Superstars and Dance" last night and was quite impressed by some of the dancers. Just as important, I thought that, for the most part, the judges' scores were good.

Until the Russian girl danced.

She did a contemporary piece, which I realize a lot of folks don't like so much, but I love that style, and I thought, in a very short number, she conveyed real feeling and also not only technical proficiency but a real understanding of vocabulary. It was a clever and touching performance which I thought would get mostly nines; I'd have given it a ten. So I was rather shocked to see her get all sevens save one eight. Pathetic, especially after the overly generous scores to the American (who I know from "So You Think You Can Dance?" and is unusual but doesn't, well, really dance very much).

Take heart, Russian girl. You were spectacular. Pearls before swine and all that. I hope to see you dance again.
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Not that it matters, really [Jan. 2nd, 2009|02:35 pm]
In case anyone is dying of curiosity, and who isn't, here are my favorite books of last year. Not books that came out last year, but of those few that I read. The best book is...

a tie. Which, I know, is kind of a cheap dodge, but it's not my fault. It was going to be close, but Black Swan Green by David Mitchell was holding the edge on everything (and it got very close at one point) until I read The Heart of the Matter by Graham Greene, which really staggered me. I can't say enough good things about either of these books. If you've not yet read them, do yourself a favor. Put them on your "to do" list. Seriously, literature doesn't get much better than these two.

After that, and running a very close second, just a razor's edge behind, is Alias Grace by Margaret Atwood. Certainly my favorite of hers so far. Beautiful depth of character, compelling cynicism, moral ambiguity...all of the things I like so well.

For flatout enjoyable reading, The Cheese Monkeys by Chip Kidd deserves a very honorable mention. It would be difficult, I think, to dislike this book. Plus Mr. Kidd gives us one of the most delightful characters I've encountered in a very long time.

Of course, Madame Bovary by Gustave Flaubert doesn't really need me to promote it, but I will anyway. It's one that has stuck with me. I keep thinking about it, thinking that I want to read some critical essays on it, which is always a good sign.

Many people seem to love The Handmaid's Tale by Atwood, and I liked it, too, but I can't say it's her best. Perhaps it's the most accessible one of hers that I've read, which might account of its broad appeal, and certainly it's worth reading and ranks high (Atwood is really a very good writer, after all), but if you're only going to read one, read Alias Grace.

Acceptable novels also include Indignation by Philip Roth, My Sister, My Love by Joyce Carol Oates and On Chesil Beach Ian McEwan, the last being the only McEwan I've read so far that I've also liked. None of them made me squeal, but all were good.

Happy 2009 to you all.
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